Movies You Will Never See/Empires of Crime/Part 1


In a new department the Daily Event will reoffer some of these scripts. Read them and decide: would you like to have seen this movie?
 
Our first script is EMPIRES OF CRIME. Seven years in development it is a six part mini-series commissioned by a broadcast network and later reacquired by a cable station. The author is the screenwriter of Rolling Thunder, Boys From Brazil, Cocktail, Fort Apache, The Bronx, among others.
 
The story is about the founders of Organized Crime, Meyer Lansky, and "Lucky" Luciano, their fifty year partnership and the empire they created. Their friendships and families, lives and loves. It is also about their implacable enemy Thomas Dewey, a young Republican attorney who built a political career prosecuting the Mob that propelled him to the NY Governor's Mansion and almost to the White House.

Due to MWA formatting limitations this script is not in classic form. To view this story in proper script format please visit the blog @ heywoodgould.com
 
For Introduction with submission guidelines go to heywoodgould.com

EMPIRES OF CRIME by Heywood Gould

ACT 1

NAPLES 1962

EXT. DA GIACOMINO’S RESTAURANT. DAY

The “classiest joint” in Naples. Vases of fresh flowers, white coated
WAITERS, bustling,  festive. But today there’s a traffic jam.
AMERICAN SAILORS, TOURISTS and REPORTERS clog the aisles
leading to a large round table in the back. Who is the focus of all this
celebrity attention? It’s mob boss LUCKY LUCIANO, early sixties,
elegant, gray at the temples, dressed in his usual impeccable style in a
Brooks Brothers gray summer suit, his signature yellow and black
handkerchief in the breast pocket. Next to him is a VOLUPTUOUS
GIRL.Whispering in his ear is MARTIN GRAYSON, a fawning
Hollywood producer. Lucky is plowing through a plate of spaghetti,
but stops good-naturedly to sign autographs and answer questions.

SAILOR
Can you make it out to Jimmy, Mr.
Luciano?

LUCIANO
Sure kid. Can’t do enough for our
boys in uniform.

TOURIST
(aiming a camera)
Say cheese Mr. Luciano...

LUCIANO
Provolone. Hey, don’t point that
thing, it might go off.

Everybody laughs as the FLASH BULB pops.

REPORTER
Senator Kefauver says that the Mob
is raking in five billion dollars a year
from illegal gambling and you’re in
for ten per cent...

LUCIANO
Five billion? Lemme tellya somethin’:
every time a politician wants to get
elected he says he’s gonna throw mob
boss Lucky Luciano in jail. I put more
crums in office than the Democratic
Party...

SAILOR
When you gonna come home, Mr.
Luciano?

LUCIANO
Funny you should ask. My associate
Mr. Grayson here has a big producer
flyin’ in from Hollywood to buy my
life story. Think we can get five billion,
Marty?

GRAYSON
The sky’s the limit, Lucky.

REPORTER
Who do you want to play you, Lucky?

LUCIANO
I’m thinkin’ of starrin’ in it myself...

Laughter and agreement from the crowd. “You could do it, Lucky..”
“You look great...”

LUCIANO
But if Cary Grant’s busy maybe
Sinatra. That kid owes me a lot.

A WAITER pushes through the crowd, bearing a huge ITALIAN
CHEESECAKE.

LUCIANO
Hey, look at that. I got two weaknesses
in life, cheesecake and...Cheesecake...

He puts his arms around the Voluptuous Girl and everybody laughs.
Then looks up at the waiter.

LUCIANO
You new here?

WAITER
My first day Signor Lucky.

Luciano stuffs a few bills in his shirt pocket.

LUCIANO
Well now we’re old friends...

As the crowd laughs he eyeballs the cake.

LUCIANO
Last time I saw a cake this big
a guy jumped out blastin’...

INT. CONFERENCE ROOM. DAY

In the darkened room a NEWSREEL on a portable screen. We see
Luciano in front of a bank of microphones.

NEWCASTER
Mob boss Lucky Luciano is coming
out of exile to tell his story...And
the world can’t wait...

LUCIANO
I’m gonna leave no stone unturned,
boys. I’m gonna rattle some cages from
Mulberry Street right on up to the White
House...

The screen goes dark. The lights come on. We are in the law offices of
DEWEY, BALLANTINE, et al...  THOMAS E. DEWEY, early sixties,
austere black suit, pencil mustache, is sitting at the head of a conference
table. With him is LIEUTENANT COMMANDER “RED’
HAFFENDEN formerly of NAVAL INTELLIGENCE and FBI agent
GEORGE BLACK.

DEWEY
He can’t come back. The terms of his
parole barred him from ever setting
foot in the US again.

HAFFENDEN
He’s applying for a temporary visa to
visit his sick brother, Governor Dewey.

BLACK
It’s blackmail. His lawyer threatens to
reveal Luciano’swar time activities if
he isn’t issued the visa.

HAFFENDEN
He’s trying to sell the movie rights to his
life story. Just wants to get into action again.

DEWEY
You always liked him,
Haffenden.

HAFFENDEN
Everybody likes Lucky...

DEWEY
(a rueful smile)
Don’t I know it. I prosecuted the man.
Proved that he wasa pimp and a murderer.
And hegot better press than I did. Still
does.

BLACK
We should have taken him out when we
had the chance.

HAFFENDEN
(bristling)
We should have given him a medal.

BLACK
The man’s a security threat. He can
reveal classified information about the FBI.

DEWEY
About all of us. We don’t want it known that
Luciano worked for Naval Intelligenceduring
the war, do we Commander  Haffenden? I
certainly don’t want it to come out that I
made a secret agreement for his services.

HAFFENDEN
Charley’s a patriot in his own cockeyed way.
He won’t talk.

BLACK
We have to be sure.

DEWEY
Ask Lansky.

HAFFENDEN
Meyer? They haven’t spoken in years.

DEWEY
Doesn’t matter. Lansky was his partner.
They were so close they could read each
other’s minds...Ask Lansky.

EXT. COLLINS AVE (MIAMI BEACH). DAY

A modest bungalow by the beach. FBI AGENTS WHITMAN and
SNYDER are on stakeout, parked across the street in the shade of
the palms.

MEYER LANSKY

emerges, with his constant companion, BRUZZER, an ancient Shih Tzu
dog. He is a short, wiry man in his sixties,in a plain white shirt and
slacks, a cigarette dangling out of the corner of his mouth. He smiles,
sardonically as they approach.

LANSKY
My own personal FBI. Want some
iced tea? A little seltzer, maybe?

SNYDER
Thanks Meyer, but I don’t think J.
Edgar would approve...

WHITMAN
Lucky’s writin’ a book, Meyer.

LANSKY
Lucky? Lucky who?

WHITMAN
C’mon Meyer...

LANSKY
You mean Charley Luciano? Knew him
in the old days. Writin’ a book, huh?
I didn’t know he could spell.

SNYDER
They say Lucky knows everything.

LANSKY
Oh yeah? So maybe he knows a good
horse at Hialeah...

SNYDER
He’s gonna tell everybody where you got
your money hidden, Meyer.

LANSKY
That’s no secret. It’s in the pishka.

WHITMAN
What’s that?

LANSKY
Little glass jar where you drop pennies to
give to the poor people in the Holy Land...
(looks toward the house)
I better go back and tell my wife I’m not
bein’ arrested. Seeya boys...

WHITMAN
You could do yourself a lot of good telling
your side of the story, Meyer.

LANSKY
I’m an old man sittin’ in the sun. That’s my
story...

INT. LANSKY’S BUNGALOW. DAY

Plain and comfortable. Family photos, book lined shelves, bric a brac or
tchotkes as they are known in Yiddish. TEDDY LANSKY, early sixties,
a former chorine, still trim and glamorous, is waiting anxiously.

TEDDY
Oy Meyer, is Charley gonna make trouble?

LANSKY
(fishing in a drawer)
He just wants to be Page One again. But
he won’t talk outta school.

He finds a faded photo and sits back in his lounger.

INSERT PHOTO (CROSSCUT)

Three YOUNG MEN, nattily dressed in the style of the ‘20’s. Lansky
looks at it, nostalgically.

LANSKY
Look at me and crazy Benny...And Charley.
Boy, we sure started somethin’, didn’t we?

Next: Part 2/LITTLE ITALY, NEW YORK, 1913